锈与骨

　　本马修·布罗德里克 Matthew Broderick 饰希望能够成为一名儿童歌曲创作歌手可现实是残酷的他似乎并没有这方面的天赋为了维持生计本还从事着校对的工作但在不久之前他得到了解雇通知这也就意味着本彻底成为了无业游民
　　在事业一败涂地的同时本也没能够扮演好一个父亲的角色答应带女儿出去玩的他留给女儿的只有不断的承诺以及不断的爽约在纷乱的生活中唯一能让本放松的就是和自己的室友艾博迈克尔·威廉姆斯 Michael Kenneth Williams 饰在一起抽大麻打屁艾博生病了可是政府福利部门却并不想支付本应该由他们负担的医疗费本决定为了自己的朋友替身而出将福利部门告上了法庭

　　在2016 年热门电影我们的疯狂婚礼的续集中一对情侣在约会之夜意外求婚成功从而引发了一系列鸡飞狗跳的闹剧

　　一个银行职员被失业丈夫的债务和她破碎的梦想压得喘不过气来这时她在家中发现了一个看似藏有无限现金的秘密金库

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas