长颈鹿扎拉法

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas

　　One hundred and ten years after its namesake’s fateful journey, the Titanic III’s maiden voyage will land at the original site of the wreck Although a faithful replica of the original, this mammoth cruise ship is built with the most advanced technology, ensuring that it has no chance of sinking
　　However, when the Titanic III arrives at the tragic site, strange events begin to occur, as dark forces from the deep rise to the surface, terrorising all aboard and threatening to repeat one of history’s greatest disasters

　　两个服役期间认识的男人结成深厚的友情退伍后一个娶了漂亮的老婆在餐厅里当三流水平却也努力向上的厨师他在对其总是板起严厉苛求脸孔的妻子面前总是装做一幅忠诚维诺的样子内心充满了叛逆的因子而另一个则成为外币买卖界人气日上前途无量的黄金王老五表面风光无限实则内心暴躁脆弱我朋友和妻子两男一女组成的男男男女和女男等多重复杂的关系如杂乱的迷宫世界不全是纯粹的同志爱情也非真正的婚外遇连最后的杀人放火的悲剧都不仅仅是发泄心中仇怨那么简单无心引发的三角拉致关系渐渐走近崩溃毁灭的边缘人性的丑陋和阴暗面显露出原本的模样张牙舞爪地考验着每个人的抵抗能力

　　婚姻不幸的土耳其女子乌马伊西贝尔·凯基莉 Sibel Kekilli 饰不仅跟丈夫毫无爱情可言更时常遭受丈夫的家庭暴力悲剧的婚姻致使乌马伊带着儿子逃回了娘家德国然而她悲剧的命运并没有因此终止迎接她的非但不是一个可以依靠的温暖的家而是家人的冷嘲热讽为了声誉家人居然极力劝她按照传统习俗把儿子送回给土耳其的丈夫抚养面对家人的冷眼和唾弃善良宽容的乌马伊并没有放弃她坚持自己抚养儿子不得已下寄居在朋友家然而这仅仅是悲剧的序曲乌马伊带着儿子去看望病危的父亲却不曾想到等待她的居然是自己弟弟的枪口
　　本片不仅荣获2010年第60届柏林国际电影节欧洲院线大奖还获得欧洲电影奖德国电影奖在内的六次提名三项大奖