故事讲述两个孤独的人在赫尔辛基的夜晚偶然相遇并试图找到彼此生命中的第一个唯一且最终的爱他们通往这个目标的道路被男人的酗酒丢失的电话号码不知道彼此名字或地址以及生活总倾向于在那些寻求幸福的人的道路上设置障碍所笼罩
小镇的冬天即将面临升学压力的陈小南和李婷还在街上游荡李婷因受不了父亲的偏心和暴力决定离家出走常年和爷爷生活的陈小南在冬天过后也将离开这里和父亲重新组建的家庭一起生活她决定帮助李婷出走可随之而来的一系列变故也让陈小南做出了和李婷同样的选择
很久很久以前有一个叫雷·派的男孩他会把破旧罐头压扁后放入鞋垫让自己看起来更高一点某一天他谋杀了两个女孩四年后探长查理·席林打算将这个凶手绳之以法同时雷·派也在犯罪的道路上越走越远
朱莉詹妮弗•洛夫•休伊特 Jennifer Love Hewitt nbsp;和其他三个中学生在毕业之际来到一个美丽的海滨城市, 开始了一次狂欢式的度假怎料乐极生悲四人在黑夜的公路上飚车撞死了一个路人慌乱中他们决定把尸体抛入大海并约定对此事守口如瓶一个快乐的旅程以阴霾结束 本以为一切都成为秘密朱莉开始了她全新的大学生活但是一封来信却打破了她的平静里面赫然写着我知道你去年夏天干了什么朱莉惊恐万分果然恐怖异样的事件开始发生在几个年轻人身上他们推测凶手是谁猜疑纷纷然而血腥的结局早已在等待着他们……
Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas
