阿曼德

　　名不见经传的小演员瑟琳娜·布鲁克斯亚历珊德拉·索恰 Alexandra Socha 饰渴望成名多次试镜后他联系到了一名小众导演亚拉巴马·切普曼艾利克斯·赫特 Alex Hurt 饰希望能在对方的长片中出演角色数日后瑟琳娜随着剧组其他成员驱车前往位于荒郊野外连网络和信号都没有的拍摄地亚拉巴马精益求真力求真实可靠身边则云集了一群性格张扬的演职人员令瑟琳娜始料未及的是这是一个追求极度真实的剧组真实到为了剧情可以真的去杀人
　　这边厢导演反复劝说瑟琳娜真实地投入到恐怖片的拍摄中来那边厢已经磨刀霍霍展开杀戮……

　　本片被很多人认为是莎士比亚戏剧改编中成就最高的一部由莎士比亚的五部戏剧浓缩而成讲述英国国王亨利四世即位后全国叛乱不止形势动荡王子却熟视无睹与其密友胖武士弗斯塔夫终日豪饮作乐弗斯塔夫是喜欢吹牛而无所不为之辈他向亨利四世进谗言说王子平叛不力把所有功劳归于自 己后来亨利四世驾崩王子继位为亨利五世弗斯塔夫以为自己能加官封爵岂料被昔日旧友一脚踢开原来亨利五世力图振作那段放荡日子从此不复返弗斯塔夫只得郁郁而终导演用自己的方式重新诠释了这个小丑故事但对他持同情态度因为导演指出弗斯塔夫的行径正是他对抗日益改变的世界的护身符从他与王子之间的友谊变化影射出这个世界早已今非昔比往日的骑士精神也因为强权政治的诡诈绝情而荡然无存

　　Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career
　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc
　　As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played
　　The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument
　　Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas

nbsp;无情的法律打破了个别文化人用不正当行为发财的美梦

　　아무 것도 가진 것 없는 스무 살의 요셉 앞에 기적과 같은 노래가 하나 뚝 떨어진다 운명 같은 #39그 노래#39를 부르며 행복한 시간을 보내던 어느 날, 요셉의 앞에 모든 것을 다 가진 심지어 그 노래의 주인이기까지 한 청명이 나타나는데 가지지 못한 것 만을 갈망하며 작은 행복들을 놓쳐 버리는 우리 모두의 이야기