闹市的一户普通民宅佐藤夫妇居住于此丈夫克彦役所広司 饰是一名尽职和善的电视台音效师全职太太纯子風吹ジュン 饰则精心打理家中的一切平凡的外表下纯子有着一项迥异于常人的能力她可以同另一个世界的众生取得联系甚至看到他们的身影但是在这个所谓科学的现代化社会心灵沟通似乎永远无法得到举世的承认虽然偶尔有人登门求助不过纯子还是希望能造福更多的人与此同时一名小女孩被人拐骗女孩阴差阳错藏进克彦的工作箱来到佐藤夫妇家面对这一意外事件纯子请求丈夫暂时将女孩留在家中让她有机会用超能力帮助警方找到女孩谁知这一过程中女孩竟意外死亡 天堂与地狱一念之差万劫不复……
JOHN和NANCY是对恩爱的夫妻为了逃避城市的拥挤和紧张搬往乡村渡假屋一日一个神经汉闯入家中在屋里展开了一场紧张刺激惊心动魄的困兽斗娇弱无助的NANCY发现丈夫JOHN死于恶汉之手被逼坚强起来化悲愤为力量与恶汉决一死战
某日突然在公司地下停车场被绑架的女人姜艺媛 饰试图逃脱的故事 本片为2007年P2车库惊魂的韩国翻拍
Fraught with over obvious symbolism, Hartley#39;s early feature is nonetheless a joy to watch Hal here shows us his uncanny ability to cast his characters perfectly came early in his career Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality though using sex for several years; obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich eg, her modeling career beginning with photos of her foot – culminating her doing nude but unseen work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc As Josh, Robert Burke gives an absolutely masterful performance A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life Dressed in black, and repeatedly mistaken for a priest, he corrects everyone quot;I#39;m a mechanicquot;, yet the symbolism is rich he abstains from alcohol, he practices celibacy is, in fact a virgin, and seemingly has taken on vows of poverty, and humility as well The humility seems hardest to swallow seeming, at times, almost false, a pretense Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is A fascinatingly written character, perfectly played The scene between Josh and Jane a wonderful, young Edie Falco quot;You need a woman not a girlquot; is hilarious real But Hartley can#39;t leave it as such and his trick, having the actors repeat the dialogue overandover becomes frustratingly quot;artyquot; and annoying until again it becomes hilarious What a terrific sense of bizarre reality this lends the film like kids in a perpetual quot;am notquot;/quot;are tooquot; argument Hartley#39;s weaves all of a small neighborhood#39;s idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the quot;unbelievable truthquot; of the title is, yet no two people can agree including our hero on what exactly that truth is A wonderful little movie with some big ideas
